Saturday, August 13, 2011

History of Rock & Roll Term Paper


Chris Cornell & Soundgarden:

Architects of Grunge


Biography

Christopher John Boyle was born July 20, 1964 in Seattle, Washington. He was the son of Ed Boyle (an Irish Catholic pharmacist) and Karen Cornell (a Jewish accountant).  The world would come to know him better as Chris Cornell, one of the greatest hard rock and heavy metal vocalists of all time…

Chris was born and raised in Seattle. He attended Christ the King Catholic Elementary School, and Shorewood High School. He has 5 siblings: 2 older brothers named Peter and Patrick, and 3 younger sisters named Katy, Suzy, and Maggie. Most of these siblings are musically talented as well. Peter, Katy, and Suzy were in the 1990’s band Inflatable Soul. Peter currently fronts the band Black Market Radio, and Katy sings lead vocals for the Seattle band Happy Hour Hero.

When Chris was 9 years old, he found – and stole – a stash of old abandoned Beatles records in a neighbor’s basement, and listened to almost no other music besides the Beatles for the next 2 years. In his childhood, Chris experienced a high level of social anxiety, and kept to himself. At some point, though, he discovered that he could ease his anxiety with rock music, and that allowed him to come out of his shell.

Chris had taken piano lessons from a young age, but had always been bored with the instrument. He claims that his mom ‘saved his life’ when she bought him a snare drum. One week later, he had managed to find the money to buy a whole drum kit, and that was when he truly began to find himself in rock music.

As a teenager, Chris experimented a lot with drugs and alcohol. He had a major problem with authority, and this combined with his social anxieties made school very difficult for him. Due to the difficulties he was having, he dropped out at the age of 15. He also wanted to work to help his mother and provide support for his younger sisters.  Chris worked at the popular Ray’s Boathouse in Seattle. He waited tables, was a seafood wholesaler, and for a time, a sous chef.

In the early eighties, Chris was a member of a cover band in Seattle called the Shemps. The Shemps also featured Hiro Yamamoto on bass. They performed around Seattle, but never made it big. Kim Thayil replaced Yamamoto as bass player when Hiro decided to leave the band. Eventually, due to disagreements about artistic direction, the Shemps disbanded. After the split, Cornell and Yamamoto would sometimes jam together, and eventually invited Thayil to join them.

These jam sessions eventually led to the formation of Soundgarden, in the mid-eighties. Cornell, Yamamoto, and Thayil founded Soundgarden in 1984. The band is named after a popular art installation in Seattle.  They were originally a trio, with Chris on drums and vocals. In 1985, Scott Sundquist joined the group on drums, allowing Cornell to focus solely on vocals. Three of their earliest recordings appeared on a compilation for C/Z Records, entitled Deep Six.

In 1986, Sundquist would leave the band in order to spend more time with his family. He was replaced by the former Skin Yard drummer, Matt Cameron, who then became Soundgarden’s permanent drummer.

Soundgarden first signed with Sub Pop. They released the EP Screaming Life in 1987, followed by Fopp in 1988. The two albums were combined and released as Screaming Life/Fopp  in 1990. The band was being scouted by major labels as early as 1988, but did not immediately strike a deal with the mainstream. Chris has said that they still felt like a local band, a garage band of sorts, and weren’t really prepared for the big time.

In 1988, they left Sub Pop and signed with SST Records. Later that same year, they released their debut album, Ultramega OK. In 1990, the album got them a Grammy nomination for Best Metal Performance. This led them to sign with A&M Records, and they were the first Seattle grunge band to sign to a major label.

Louder than Love (1989) was the first album they released under their new label. After this album was released, Yamamoto decided to leave the band to go back to school. He earned a Master’s in Physical Chemistry from Western Washington University. Yamamoto was replaced by Jason Everman, a former Nirvana guitarist. Everman toured with the band in support of ‘Louder than Love’, but was fired shortly after the tour ended. In 1990 Ben Shepard joined the group as their new bassist.

The early 1990’s saw a huge influx of grunge bands and style into the mainstream. The movement that had started in clubs in Seattle was now taking the world by storm. Everyone on the scene in Seattle knew who Chris Cornell was, and knew his band Soundgarden had layed the foundation for every other band to follow. Soon, the whole world would know who Soundgarden was, and would be transfixed by their lead vocalist.

In 1991, the band recorded Badmotorfinger, the album that propelled them to new heights both commercially, and influentially. The album included the singles, ‘Outshined’, ‘Rusty Cage’, and ‘Jesus Christ Pose’, all of which garnered a lot of airtime on rock and alternative radio stations. ‘Jesus Christ Pose’ was the subject of a lot of controversy, and therefore did not get played on MTV like the others. Badmotorfinger earned the band a second Grammy nod for Best Metal Performance in 1992.

Superunknown was released in 1994, and would become the band’s true breakthrough album, taking them from grunge and alternative rock stars to mainstream rock superstars. The album debuted at No. 1 on the Billboard 200 chart. Superunknown spawned the hit singles ‘Black Hole Sun’ and ‘Spoonman’ – both of which won Grammies – and the album got a Grammy nomination for Best Rock Album in 1995. Superunknown also left its mark internationally when it achieved quintuple platinum status in the United States, triple platinum status in Canada, and gold status in the United Kingdom, Sweden, and the Netherlands.

Soundgarden’s final album was Down on the Upside, which the band produced themselves. The singles from this album include ‘Burden in My Hand’, ‘Pretty Noose’, and ‘Blow Up The Outside World’. Although the album did not do as well as the others, it still got a Grammy nomination for the single ‘Pretty Noose’.

Throughout 1996 and into ’97, there was a lot of tension and disagreement in the band. Cornell and Thayil had many disagreements over the creative direction of the band, as well as artistic visions for various songs. Soundgarden disbanded in April 1997.

Following the break-up of the band, Chris went on to pursue a solo career, from ’98-’00.  In 2001, Cornell joined with members of Rage Against the Machine to form Audioslave. Their self-titled debut was released in 2002, spawning the hits ‘Cochise’, ‘Show me How to Live’, and ‘Like a Stone’. It achieved Platinum status.

Audioslave’s second album came out in 2005. It was titled Out of Exile, and produced a hit by the same name, as well as the singles ‘Doesn’t Remind Me’, ‘Be Yourself’, and ‘Your Time Has Come’.

They followed this up with their last album featuring Cornell as vocalist, releasing Revelations in 2006, which sparked the singles ‘Revelations’ and ‘Original Fire’. Cornell would depart the group shortly after the album’s release due to tension between bandmates, and some misunderstandings that lead the public to believe that Chris (who had been sober for years) was using alcohol and drugs again. He was not.

In 2007, Cornell went back to his solo career. He has done several songs for movies, as well as a cd/dvd/digital download concert release called Chris Cornell: Unplugged in Sweden.

In 2010, Soundgarden reunited, and has been playing live shows – they headlined Lollapalooza 2010 – and making television appearances since. They have also released 2 retrospective albums, called Live on I5 and Telephantasm. Chris temporarily broke from the band in the spring of 2011 to go on a US solo tour, and has now joined back up with the rest of the guys for a Soundgarden summer tour.

Style Characteristics

Chris Cornell has an incredible vocal range, from B1-G5 in full voice, and up to E6 in falsetto. He is known for his growling, screaming delivery, and for his high-pitched wails. He can have a gravel edge to his voice, or have a very smooth crispness.

His bands have typically been known for loud guitars and pounding, driving drums. Some songs are slowed down and softer, more ballad-like, but most are hard-driven grunge and metal. One characteristic that Soundgarden, Audioslave, and solo Cornell songs all share are strongly poetic lyrics. All lyrics are written or co-written by Cornell, and he is a master.

Listening Selection

The song I chose for my listening selection is ‘Rusty Cage’, from the 1991 album Badmotorfinger. I chose this song because it showcases almost all of the many characteristics that make Soundgarden unique. Chris Cornell delivers a widely varied vocal performance, showing off his range as well as his ability to deliver different vocal styles, and transition between them smoothly.

As for the band, this song shows off their hard-hitting guitar and bass riffs, and incredible drumming from Matt Cameron. There is a ‘breakdown’ midway through the song, and this change in tempo and style was common in Soundgarden songs. It was just one of the many things that make Soundgarden great. Love them or hate them, they are an incredibly talented band, and ruled rock and roll for a number of years. Most would argue (correctly) that Chris Cornell’s vocals are what made the Soundgarden sound, and his reign as King of Grunge Metal has lasted through his time with Audioslave, and into the reunion of Soundgarden. LONG LIVE THE KING!

Tuesday, August 2, 2011

My ghost

You are my ghost,
I am your ash.
I am haunted by your absence,
And burnt by your presence.

You mock me.
I play your fool.
You burn me.
I strike the match.

I exist for silence.
You rattle my chains.
I shut my eyes to the world.
You project shadows on my eyelids.
I shout out for help.
You steal my breath.
I sleep for respite.
You crowd my dreams.

I pray for loneliness.
You will not let me down.

Monday, May 16, 2011

Yamhill County Art Co-op

This idea has been brewing in my mind for a long while, and has just recently become a dream that I have hope of making a reality. I had no idea that so many other people were thinking along the same lines. As always, I am dreaming big, and per usual, I have no idea where to begin or how to achieve my vision.
That's where you all come in...
I've had a hard time in trying to describe to people what I want to achieve, because I see it in my mind as a completed entity. I guess the best way to lay this out is using bulleted lists to describe both what I want us to HAVE, and what I'd like us to DO, or PROVIDE. I will then be asking for further ideas, and suggestions/help to make it happen. So, here goes...

I would like us to have a building/space large enough to house the following:
  • At least one large studio/meeting room that can be used both as open studio space and as an occasional classroom.
  • Gallery space
  • Photographic studio and darkroom
  • An area for 3-D art of all kinds (pottery, sculpture, metalworks, etc.)
  • Pottery wheels and at least one kiln
  • An art supply 'store', in which we sell supplies to members at wholesale prices.
  • as much additional multi-purpose space as we can muster
  • get 501(c)3 tax exempt status 
I would like us to do, or provide, the following:
  • Make art accessible and affordable to the masses. Make it fun again! Remind adults how much fun it can be to get your hands dirty to create something beautiful!
  • Provide use of space and equipment to any artist or group of artists who need it.
  • Provide public art classes for all levels. Classes may be taught by art teachers & profs, professional or amateur artists. 
  • Have a gallery to show local artists. We should be known as the gallery of up-and-comers. My goal is to balance the needs of the artist with also trying to keep our gallery prices within reason. I want us to be known as the gallery for the masses. The average working stiff should be able to find a piece in our gallery that he loves and appreciates, AND can afford to purchase!
  • Bring art back into the schools through volunteerism, artist-in-residence programs, etc.
  • Give back to the community as much as possible. I'm envisioning at least one gallery show per year, with proceeds going to a chosen charity, fundraising events throughout the year, public art installations created at little or no charge to the city/county...
I would like the co-op to be 'the place to go' for artists and creatives of all types. I'd love to see this become a gathering place, a place people come to collaborate and learn from each other. To bounce inspirations around and bring out the best in each other, across genres and mediums.
We are truly starting from scratch here, people! So far, we have nothing but an idea. If you are reading this, what I need from you, in addition to more ideas and suggestions, is your time, your dedication to making this a reality, and your expertise, whatever that might be.
We need help with getting a 501(c)3 designation, we need land and/or a building... Once we have the tax exempt status, anyone willing to donate property to us would get one heck of a tax write-off!
As I've said, I have a vision of this place up and running and fully functional. I know it is going to be a long road to get there. And as I said, I have no idea where to begin. I am busy with school and looking for work, so any help you can offer in any capacity will be greatly appreciated.
If you are interested in being involved in this process, please contact me through this blog, find me on Facebook (facebook.com/fyreandreign), or email me at chshire2020@yahoo.com.
We should have a co-op specific facebook page up soon, and at that time, we will also have an email and you will be able to sign up for a mailing list to receive updates and alerts to events. Thanks for reading!
Tina Berry

Phantom Limb

It's been a long time since I last posted any poetry. Time for a new one. If you 'get' this one, you will understand it immediately. If not, I'm afraid it's a phenomenon I couldn't ever make you understand...

PHANTOM LIMB

your sex is piracy
we are ships passing
you slide inside
but you don't know what I feel
you don't see what I am
you can't feel this phantom limb

itching and untouchable
love lies when left unseen
can you feel me?

Saturday, February 26, 2011

Fantastic Fire Poems #7 & #8

7.
When dreams are waking
and my heart is aching
and my hands are shaking
and you're mine for the taking
We fall together
like worlds quaking
like diamonds shining
like water divining
like kings warring
like oceans roaring
We roll like waves
and rock like caves
then heart to heart
and hand in hand
We fall like snow
and settle like sand

8.
Goddess above me
you rise so sweetly
greeting the dawn
on the day of my rescue
your gracious hand
reaches for mine
you are lifting me up
higher than i dared to dream
one kiss and i soar
above you
mortal no more

Friday, February 25, 2011

Fantastic Fire Poems #5 & #6

5.
you've left again
work calls you away
much too often
i long to have you here
to share in the beauty
of life and the
slow ache
beauty brings
but you're already familiar
with these things

6.
early morning moon
fog creeps in
frogs are trilling
in the cold
that old longing arrives
my arms are empty
without you here
come home soon, Love

Monday, February 21, 2011

Alice, Revisited

I'm cracked.
I'm through the looking glass
and never looking back.
just drink my potion,
shrink down to nothing,
invisible as I already am
to the Queen of Hearts,
with my Cheshire grin,
my Mad Hatter riddles,
my White Rabbit dreams...
But there is no date,
so pocket that watch,
and stay for tea!

Wednesday, February 16, 2011

Sisters

Over the years, my sister and I have spent many nights sharing memories and reminiscing over shared childhood experiences. I have come to think of these times as a sort of therapy session, as we not only laugh about the good times, but we cry and seek comfort for the bad times.
I've been feeling lately as though my sister is a million miles away, and I miss her like crazy! So here's a poem I wrote after one of these late night trips down memory lane...

Your pain is my pain
I carry it every day
Your joy is my joy
May it always be that way
I love it when you say
Come, sister, let's sit and talk
of nightmares unspeakable
of dreams unflappable
of givers and
of takers
of childhood mischief makers
of wisdom before hidden and
of hope,
surprising, unbidden
But most especially the love we feel...
I've felt it always,
I feel it still!

Thursday, February 3, 2011

Fantastic Fire Poems #3 & #4

3.
walking down the street
we're happy as clams
gazing in each other's eyes
as we warmly clasp hands
others look on
in wonder
in hatred
in revulsion
in envy
in lust
staring like spies
from behind their newspapers
but all i can see are your eyes

4.
mystic goddess
you sing me to sleep
with your heartbeat
you compose my soul
with a single touch
you praise my vision
and kiss my eyes
you seek my honesty
then tell me sweet lies
crossing your lips
they sound like sighs
and we melt together
into night

Sunday, January 30, 2011

Suicidal Dream (AKA Political Nightmare)

A few years ago, I saw video of a rescue off the Oregon coast. Always a dramatic scene, but this one was unusual... The guy stranded on the rocks appeared to not want a rescue, and tried to fight off the Coast Guard rescuers. Of course, they managed to do their jobs and save him. I have no idea whether he's happy about that or not...
This was around the same time that the nation was having a debate about how much sway the government should have in people's personal lives and decisions. We were deep in the muck of the Bush administration, and this incident came right on the heels of the Terri Schiavo case, so politics and personal freedoms were very much in confusion.
Anyway, that night it was difficult to get to sleep, and when I did, I had vivid dreams of walking into the ocean and not coming out. I woke sometime in the night to scribble some unintelligible stream-of-consciousness nonsense, that I have now distilled into a somewhat more understandable version of it's former self. I have tried to maintain the stream-of-consciousness style, while attempting to make it easier to read. I hope I found the right balance...

Suicidal Dream (AKA Political Nightmare)

Lying awake till 1 am, listening to Jewel and sobbing my esophagus inside out, trying to figure, when came this doubt? and when and how will i break out? panicked, i shout, but no one comes running to save me, so i wade into the ocean and let my weighted clothes carry me out to sea, and just as i fill my lungs to sing, this poor excuse for a rescue shows up to ruin the whole damned thing...
And i'm pleading with them to just leave me, let me find god, let me find peace, let me find mother nature and give her the kiss of life and a slap on the ass, someone's gotta do it, someone's gotta revive her soon or she'll keel over dead, and i can't live in a world with no seahorses or sand dollars, and the thought makes me fight like a steelhead on a string, but they've got me by the throat, they've got me in the boat...
Once again, the government has saved me from myself.